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Thursday
Jan072010

In the Pursuit of an Idea

Guest Post by Kim Smith

Recently, I was out of town on a business trip. No great thing but for the fact that I had horrible trouble with the airlines that was supposed to move me from point A to point B. The long wait times (two different days!) gave me plenty of opportunities to think about situations and writing and what worked and what didn’t.

For most beginning writers, the pursuit of an idea wide enough to carry an entire book is a big deal because many agents and publishers say “make the story universal, make it something that is timeless”. Most beginners (some who are not as well) take this advice seriously. They want to do everything right straight out of the gate.

I know many established, multi-published authors who take the idea that flashes through their mind and keep building on it “off the paper” for extended periods of time. Some have even developed their characters, their settings, or their plot for years in their pre-planning.  But, for some of us, this simply won’t work. I happen to be one of these other writers, the fly-by-the-seat-of-your-pants sorts. This post is not for the writer who can create for extended periods before writing their first word, but rather the ones who cannot.

As I sat in the airport contemplating writing something (anything!) because my heart felt that I had put it off too long trying to make it into something useful not wasted, I remembered William Faulkner.

He is quoted as saying, "Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him"

So I am here to tout the news that it is okay to write out the idea on paper, not carry it around in our heads, go forward and dive right into the story by writing a few thousand words. It is okay to turn those few thousand into a few thousand more in an attempt to see if it will go anywhere, only to discover that you do not have a story. Yes, I am an advocate of broken beginnings, saggy middles, and books with no hope.

Why, you ask, would I do such a thing? Why would I encourage writers to write anything less than their best, and most well thought out work? Waste paper, muddle a mind?

Because writers write. That’s what we do, that’s who we are!

Beginning writers (especially) need to keep poking the muse to see what she has to offer up. When we censor our writing mind, and toss out ideas before they have a chance to be developed (because someone says “that won’t work” or “that’s been done before”), we get into a mind-set that hobbles our creativity.

Let that weak idea flow! You may have a short story, not a novel. You may have a character sketch, or a mood piece, not necessarily a short story, but that is perfectly fine. You still have something to write. Something that moves your writing life forward a little bit more than yesterday.  Along the way, you will know when it is right, when it is something that can be stretched, or developed, when it will go into a bigger piece of the puzzle, and who better to know such as that? It is your story to tell, your character to develop, your plot to pursue.

After returning from my business trip, I walked the grounds of Rowan Oak, Faulkner’s home in Oxford, Mississippi. I smiled when I felt the urge to write hit me. I didn’t tarry either. Maybe ole Will was standing somewhere under one of those huge, old trees in the avenue, waving at me—(laughing, probably) telling me to go, go, go at my fierce determination to wrestle something out in the name of writing. Telling me to be free in my methods, my failures. I had a small amount of success, churning out one small story.  Thanks, Will.

Kim Smith is the author of the zany Shannon Wallace Mysteries available from Red Rose Publishing. She is the hostess of the fun radio show for authors, Introducing WRITERS on Blog Talk Radio, now enjoying over 8500 listens!

Reader Comments (9)

Thank you for having me on Blogging Authors today!

January 7, 2010 | Unregistered CommenterKim Smith

Excellent post, Kim. The other day, my eight-year-old came up to me and said, "I want to write and illustrate a story, but I don't know how". The only advice I could come up with is: Sit down, think of an idea, and start writing it. She looked at me like I had five heads, but honestly, I can't think of any other way to do it--at least not for me.

I don't usually outline until I have the first few chapters under my belt. I have some idea of what will happen, but my characters always end up doing something that I don't expect. Take Ralph, for instance, he's a MC in the middle grade novel I'm working on. I was working on this story for NaNo, and even though I had given a lot of thought to who Ralph was, for some reason, during one of the chapters, I couldn't see him any longer. I couldn't picture what he looked like even though I saw him for a month while I tossed the ideas around in my head.

I knew that Ralph didn't read and that he was poor. I also knew that his father died and he had become the man of the house several years ago, so even if he wanted to go to school, it was no longer an option for him. I had written this great scene between Amelia (the female lead) and Ralph, where she discovers he can't read and she offers to teach him, but he is totally against it, even though Amelia can tell he really would like to learn.

I ended up submitting the first chatper to my critique group, and some of the comments that came out of that, plus the next scene I wrote made me understand Ralph a lot better. Ralph was a black boy, living in the North, a few years after the Civil War. His adversion to reading came from when he and his family lived in the South, and he had seen one of his master's slaves beaten for trying to teach another slave to read. Never expected that to be the reason, but that's what came to me when I wrote.

Best of luck with your tour.

Cheryl

January 7, 2010 | Unregistered CommenterCheryl Malandrinos

Wow Cheryl! What a great start to something wonderful! I hope you will finish it (if you haven't already) and I would love to be a reader of it!

January 7, 2010 | Unregistered CommenterKim Smith

I'm always creating ideas into something, especially lately since I've been writing flash fiction; I like being able to take an idea and whip up a a piece of short fiction. And you're right, sometimes those ideas do turn into longer works. I wrote a short 100 word tale that became a short story and now I'm noodling with the idea of turning it into a novel.

January 7, 2010 | Unregistered CommenterA. F. Stewart

Fabulous advise, Kim. Every new writer needs to hear this. We're not all the same. Sometimes we need to not think so much about the process and just do it. Kudos.

January 7, 2010 | Unregistered Commenterjoylene

Thanks you guys! It's always fun and important to hear that others feel the same way about ideas and using them or ... not.

January 7, 2010 | Unregistered CommenterKim Smith

What a fabulous post and excellent advice, Kim!!!! I think that is one of the hardest things for a beginning writer - the idea of just writing and not have it be perfect the first, second, or heck even third time around. That's my personal experience anyway, lol.

January 8, 2010 | Unregistered CommenterApril

Yes, April! Sometimes too much tinkering in the beginning stages can ruin it. You could just get sick of it in the very beginning and never finish it!

January 8, 2010 | Unregistered CommenterKim Smith

Congratulations on the syndication, Kim - way to go!

February 15, 2010 | Unregistered CommenterNicole Langan

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