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Friday
Jul302010

Book Marketing: Mistakes Authors Make

Guest Post by Irene Watson

When writing and marketing your book, creativity is a necessity, but sometimes an author can go too far. While authors may be proud of being unique or even eccentric, they will want to avoid stepping over the line into crazy.

Hundreds of experts are out there writing, blogging, and speaking about what authors need to do to promote their books, but sometimes, authors need to hear about what not to do as well.

I’ve assembled a few of the more outlandish stories I’ve heard, and while they may seem truly crazy, I guarantee they are all actual things authors have done in the process of writing or marketing their books. Just on the slim chance you might be going down the road to crazy authorship, here are a few warnings of what not to do:

Bookstore Mistakes:
These two stories were both told to me by a friend who manages a bookstore:

We agreed to carry this author’s book on consignment. As long as a book continues to sell, we will keep carrying the book. But one author did not sell any books, so after six months, I called him to tell him we could no longer carry his title. He informed me that he had actually sold twenty books in my store. I told him the stack of eight books we had initially taken from him was still there. He replied that he had been coming in every couple of weeks and refilling the stack. Because we are not a computerized store but do manual inventory, when he kept refilling his stack, we had no way of keeping track that the books had sold, and consequently, I couldn’t pay him for those books. Bottom line, check with the bookstore manager before leaving new books in the store.

We had a local author whose books we placed in the local book section. One day I came into the store and all of her books were on the table in the front of the store with the bestsellers. I moved them back to the local author section. When the situation happened again, I explained to the author that customers looking for local books would have difficulty finding her books if they were not in the local section, but it didn’t seem to make a difference. A few days later, I came in and her books were again on the front table. After I had to move them a couple more times, I finally called the author and told her we would not sell her books anymore.

Festivals:
This story was told to me by an author who attended an art fair:

I was at an art fair and sharing a booth with another author. She had just had her story turned into an audio book. As a way to market herself, she decided she would bring a pair of headphones with her so people could stop by and listen to the audio book. Only she didn’t stop there. She stood outside of the booth and then ran up to people and put the headphones on their heads without asking their permission all the while exclaiming, “Listen to my book!” Needless to say, she kept people from getting anywhere near the booth to see my book and people were clearly starting to go out of their way to avoid us when they saw what she was doing to other innocent passersby.

Interviews:
I can’t tell you how many times I’ve heard authors say the following when I’ve interviewed them. It does not make an interviewer happy:

            “In your book, why does your character Mary decide to…?”
            “You’ll have to read the book to find out.”
            “Can you tell us though why you decided to have Mary do it?”
            “No, I’m afraid I’ll give too much away. You’ll have to read the book to find out.”

In short, if an author doesn’t want to tell me about his or her book, I’m not going to want to read it.

Book Introductions:
One author wrote an opening paragraph to his introduction that said something along these lines:

Because I realize the situations in my book and the fantasy world I’ve created might at first be confusing and hard to follow for readers, I decided to write this introduction to explain things so my readers won’t get lost while reading the story.

Trust me, telling a reader your book is confusing is not going to help you sell books, and if your book is confusing, you need to keep working on it rather than publishing it.

Children’s Books:
You may not believe this, but some authors don’t know what is appropriate for a children’s book. I heard about one author who had his animal characters investigating a murder. Worst of all, the murder victim was a female, and the primary suspects were her husband and her lover. I hope I don’t have to say that murder, much less adultery, is not an appropriate subject for children.

Websites:
I could list many mistakes here that authors make with their websites, but this author made what has to be the winner for all time craziest story. The following is a slight rephrasing of a posting I actually saw on an author’s website, but it represents what I’m afraid I’ve heard about more than one author (hence the fill in the blanks):

If you want to buy my book, I can’t mail it to you because _______ [the post office, the U.S. Government, the League of Evil, the aliens secretly running our planet, etc.] is purposely stealing books I’ve mailed so people won’t learn the truth about _______ [Bigfoot, King Arthur, the Bermuda Triangle, Jesus, aliens etc]. So I’ve turned it into an ebook you can download from my website.

Perhaps as an author your books are not selling as well as you wish and you’re wondering what you’re doing wrong, but after reading these stories, I’m sure you can pat yourself on the back that at least you’re doing a few things right.

Irene Watson is the Managing Editor of Reader Views, where avid readers can find reviews of recently published books as well as read interviews with authors. Her team also provides author publicity and a variety of other services specific to writing and publishing books.



Thursday
Jul292010

Sexual abuse within the church: the never-ending scandal that may finally end

Guest Post by James Hayman

Last month (Monday, June 28, 2010) the US Supreme Court issued a ruling that may just be turn out to be the straw that finally broke the camel’s back in the decades-long effort by the Catholic Church to deny any legal or financial culpability in the priest abuse scandals.

In its ruling, the Court refused to reverse a couple of lower court rulings that said a victim could hold the Catholic Church responsible financially responsible by suing for damages for sexual abuse suffered as a child.

The case involved an Irish priest, Father Andrew Ronan. After Ronan admitted sexually abusing a boy in the Archdiocese of Benburb, Ireland, Church officials did nothing to either punish or keep him away from other underage victims.

Instead, in a classic case of setting the fox among a new group of chickens, they transferred him to an all-boys high school in Chicago where, not surprisingly, he later admitted sexually abusing three male students.

Alas, once again, the Church was more interested in protecting itself against scandal than in protecting the well-being its young parishioners.  Ronan was transferred again. This time he was sent to St. Alban’s Church in Portland, Oregon where, surprise, surprise, he allegedly abused the victim who brought suit, who is identified in court documents only as “John Doe.”

In its defense, the Church claims it has no responsibility for Ronan’s actions because, in the words of Vatican’s attorneys, “Sexual abuse is clearly outside the scope of a priest’s employment.”

The argument would be laughable if its consequences weren’t so tragic.  Over the course of the last thirty or forty years hundreds of priests have admitted to literally thousands of cases of groping, fondling and raping underage boys (as well as a few girls). No one knows how many other cases have never come to light.

Hopefully, the recent High Court ruling will make any continued efforts to cover up cases of abuse so expensive that the Church will finally do what it should have done way back in the beginning, turn pedophile priest over to the proper authorities for investigation and prosecution.

The whole sorry mess of sexual abuse by priests is examined in some detail in a well-documented and beautifully written book called Our Fathers: The Secret Life of the Catholic Church in the Age of Scandal (Broadway Books, 2004) by David France, a reporter who covered the Church crisis while serving as a senior editor for investigations at Newsweek magazine.

I bring it to your attention because France’s book was extremely helpful to me in researching the background for the story that ultimately became The Chill of Night.

James Hayman spent more than twenty years as an advertising copywriter and creative director in New York City before moving to Portland, Maine to begin a second career as a novelist and the creator of Mike McCabe. 

The Chill of Night is James Hayman’s second Mike McCabe suspense thriller (after 2009’s The Cutting).  In The Chill, one of the key characters is a former priest named John Kelly who was himself abused as a young teen and who is a key suspect in the murders of a teenage runaway and the lawyer who was trying to help him.

Wednesday
Jul282010

Blog Tour Exhaustion

Guest Post by Diana Raab

I am on a book tour with my latest memoir/self help book, HEALING WITH WORDS: A WRITER’S CANCER JOURNEY and I am exhausted. But I haven’t even boarded an airplane yet. My state of exhaustion is probably a combination of planning for my daughter, Regine’s wedding and these two blog tours set up for me since the book’s release on June lst.

When the idea of a blog tour was first presented to me by my publisher and three publicity firms, I thought it was a great idea—a book tour from home, how cool, no suitcase, no boarding passes, no security checks or airport transfers.

What I quickly realized was that in many ways a blog tour is more tiring than a traveling book tour. The part I love about in-person book tours is greeting and meeting my readers, visiting interesting cities and writing in my favorite place, the airplane. This list does not include my favorite pastime of people-watching in airport terminals which supplies me with endless story ideas. One major advantage of the traveling book tour is that it gets the writer away from the computer and the seductiveness of the social network scene. Surely, you will agree that we spend far too much time on the computer and it is leading to an enormous amount of stress. In fact, a colleague of mine was recently diagnosed with psoriasis which is stress-related and for this very reason, her doctor prescribed an internet holiday!

During the course of my blog tour, I also realized that in addition to doing my creative work, the blog tour meant I would have to write answers to interview questions and sometimes even craft original material to be posted on the host’s blog site. I was also informed by one blog tour coordinator that many bloggers do not like reprints. I thought to myself—gosh, that’s a big demand of someone who doesn’t even paid for filling up the pages of a stranger’s blog!

Similar to a physical book tour—the blog book can make the author feel special by spotlighting an interview. But in no way does it match up to the charge an author receives by seeing a room full of people keenly listening and enthusiastically asking questions.

All this makes me wonder what the future holds for authors. Are we going to become even more isolated in our writing studios? Are we going to completely forget our social skills?

Does anyone have a crystal ball to provide me with answers? If yes, I would love to hear from you!

Diana Raab is an award-winning memoirist, essayist, poet and author of eight books and editor of two essays collections, including the latest, Writers and Their Notebooks (2010) with an introduction by Phillip Lopate. She’s authored over 300 articles and poems which have appeared in national publications. She is a journaling advocate and teaches in UCLA Extension Writers' Program and in various conferences around the country. Her memoir/self-help book Healing With Words: A Writer's Cancer Journey was just released by Loving Healing Press in June 2010.  Visit Diana Raab at http://www.dianaraab.com.

Tuesday
Jul272010

Using Breaking News to Break Into the Media

By L. Drew Gerber

Breaking news is news in the truest sense of the word — from “hard” news about national and world events, politics or major scientific breakthroughs, to entertainment news about celebrities or sports stars. Breaking news is what drives the media; and tying your pitches to breaking news is a great way to grab the media’s attention for you and your book.

What’s great about breaking news is that it answers the “Why now?” question for the media and increases your chances to share your insights, commentary or expert opinion. Breaking news also answers the “Why should I care?” question for media. In news meetings, editors and producers constantly ask their reporters to answer one question from the point of view of the reader, viewer or listener: “Why should I care?” As an expert, you’re there to serve the media and help them media answer that question. After you pitch, be prepared to jump when the media calls. The earlier you can get involved with the story, the greater your impact in the conversation and the greater your chance to be part of the follow-up.

Here are some key things to remember when preparing:

1) Give the media your cell phone or other numbers where they can contact you 24/7. When they call, pick up. If you can’t pick up, call back ASAP!

2) For TV interviews, you often must be available to fly or travel on short notice. The travel may be local or you may have to fly across the country. Be prepared for spur-of-the-moment schedule changes and be ready to make travel arrangements before you pitch.

3) Print and radio interviews can often be done by phone. Make sure the most reliable landline is used and that all sound bites are practiced and prepared in advance.

4) Provide a link to your book and your online press kit so the interviewer can prepare and familiarize themselves with your expertise. Online press kits are one of the most convenient and useful resources for print, broadcast and online media.

5) Expect to be thrown a curve. You can ask the media for a list of questions they plan to ask, but be prepared for spontaneous questions too. This is where media training ahead of time can be very valuable, because there is little time to train once you get the call.

6) Think like a journalist. The more you watch, listen to and read the news, the more you can anticipate and prepare to comment when news breaks.

A lot of this may seem like common sense. But when it comes to PR, it’s usually the smallest things that determine whether or not you land that placement. So being prepared and making sure you’re on top of all the details will do nothing but increase your chances of shining when news breaks.

L. Drew Gerber is CEO of www.PublicityResults.com and creator of www.PitchRate.com, a free media connection service for journalists, experts, and publicists.  Sign up now for free publicity advice including a free online marketing course. Gerber's business practices and staffing innovations have been revered by PR Week, Good Morning America and the Christian Science Monitor. His companies handle international PR campaigns and his staff develops online press kits for authors, speakers and companies with Online PressKit 24/7, a technology he developed (www.PressKit247.com). Contact L. Drew Gerber at: AskDrew@PublicityResults.com or call him at 828-749-3548.